Marc Urselli-Schärer about "Sensitive Disruption":
Even though this was originally released on the Italian Minus Habens label in 2001 we gladly and warmly welcome the american version of the first album by Visions of Excess, the newest mutant deviant of electronic morphing coming from our loved Hollywoodian outlet Tone Casualties (who finally have a new site - check it out!). It is brought into existence by the skilled minds of Paul Browse (Clock DVA, the AntiGroup, System 01, Effective Force, 030 feat. Dr. Motte, Holy Language and Sub D.) and Nirto Karsten Fischer (Forced Media Prod.), with additional inspiration supplied by Brooklynite visionary poet Robert Anton Wilson. The audio-logic poetry of sonic manipulation that beams at you when listening to this excess of sampling genius is but the proof of the abilities of the individual minds and of what they envisioned in "Sensitive Disruption", single-handedly delivered to you in the form of a staggering electronic music mix that makes of drum'n'bass' articulate break-ability its corridor and of experimental-noise sample-dome collage its runner. Truly hi-tech and astonishingly polished and gentle is the offering of these two researchers and their wisdom pal. The beats of this album are just incredible and connote the minimal music passages with a groovy feel of alien intervention. The recited parts give it that extra tense vibe which adds up with the dark atmospheres of some of the pieces and of the overall mood to make up for a giant example of terrific dark-experimental-electronics. It's probably hard for you to understand what I am wabbling about and it's hard for me to describe such an unconventional and yet spectacular work. It's like if everything makes sense but it's still so hard to explain...
